How Austen creates her novel “Pride and Prejudice” Essay

Jane Austen was extremely modest about her genius, describing her work to her work to her nephew Edward asThat little vertical (two inches wide) of ivory in which I work with so fine a cross as produces little forcefulness after much labour.Although the world of her saucy Pride and Prejudice is confine to a small section of fellowship comprising of country-gentry and lesser aristocracy of England in the opening of the 19th century, the novel itself shows page by page how interesting lifespan could be, how fascinating lifes twists and turns argon, how significant the trivialities be to those concerned.The range of Austens novel is limited by her own circumstances, her own sex, and her position in the society. only the little world she writes about, she knows inside out. She accepts her little world so artfully that when we atomic number 18 in it we do non long for anything else and we feel its fullness as well. She practiced what she preached.There are four families in a country village is the very thing to work on. She sticks to what she knows and is refusing to include in her novel what does non properly belong to village life she is an artist.Austen has an acute interest in personalities, her field is the gay heart. Therefore, although she writes in the years of war between England and France while Napoleon was changing the map of Europe, in her novel we get down not mention of Britain at war. In Pride and Prejudice soldiers analogous Wickham, come to Meryton to provide, in a sense, am manipulationment for the girls. Austen thus does not impose anything harsh or unnecessary on her novel this alludes to the tasteful unity of her creation. She consciously limits herself and does not write anything beyond her experience. It may well be mentioned here that in A Room Ones Own Virginia Woolf pays a rich tribute to Austen by mentioning that novels bid War and Peace could never be written by any female novelist, but for certain no Tolstoy could ev er write the novels of Jane Austen.Austen deliberately and wisely limits herself to a few families and a limited digit of characters in Pride and Prejudice. Her characters live in comfort in country houses their lives consist of property clods, attending parties, visiting each others house and thus amusing themselves. In that society even a small event is given a higher importance. Thereby a ball at the Bingleys or at the Lucases is eagerly anticipated and minutely analyzed.Austen chooses her characters from very ordinary life. Her characters range from the high-minded aristocrat Darcy to the dull-witted Mrs. Bennet, from the good-natured Jane to the hypocritical Miss Bingley. The men-folks in her novel do not in feature do nay work whereas the young girls are always in pursuit of good husbands. The girls get under ones skin somehow managed to turn themselves into husband hunting butterflies. Distant Pembrly, Netherfield and Rosings are the upper limit, whereas Sir W Lucas and L ady Catherine Debourgh are highest in rank, the still higher estates and greater aristocracy are not mentioned in the novel, since they little effect Meryton and Derbyshire.The way Austen treats her characters is satiric. Her views of life are therefore always satiric the passionate and tragic aspects of human life are somehow discarded. Only such characters are chosen that could be satirically treated. This satiric fantasy of life is a limitation on Austens part. Critics sometimes mention that Austen Banished nine-tenth of life, and gave us people who never work, or fight or die, or starve or go crazy.In the view of that preceding(prenominal) statement we find that people in Pride and Prejudice engage themselves in doing zero. Mr. Darcy apparently seems to suck in some work to do when he is at Pemberly, the work he does there is obviously committed with his estate. Mr. Gardiner revels in fishing only. Mr. Bennet, as we are told, takes one of his farms but only emerges from his library when he need to settle some family affairs. Mr. Hursts motto of life is High living and little thinking. Reading has a place in family entertainment and since all the novels are heard at family gatherings, the writers take care to fill up pages fit for family consumption.In fact, Austens knowledge of mens ways limited, but she knew how to useher limitation. In Pride and Prejudice men come and go, and sit and chat when in front of the ladies Austen does not pursue them into their personal world. We may see Fitz William Darcy and Bingley set off in a carriage but what they discuss is never reported if no woman is present. Despite Austens failure to present the umpteen facets of mens life, she is successful in providing an illuminating insight into some of the most significant characters like that of Darcy and Bingley.For instance, Darcys transmigration from a proud and snob person to a compassionate and reliable one is shown with faultless dexterity. In this novel Austen do es want to compete with students of political economics, or social problems. The life and its complications that she depicts are just as what she experienced as a woman. Quite naturally her themes in this novel center the multiplex role of money and love in marriage. In doing so she even consciously avoids any preaching on philosophical or social issues. A simple plot concerning a few sum of people is woven in this novel.That Austen has no wish to exceed the limitation of her own is quite spare when we find that urban life is excluded from the novel only because she had not much experience of it. It is mentioned casually during Janes visit to London. We have also observed that no black-hearted villain ever makes an appearance in Austens pages. The greatest villainy that ever occurs in Pride and Prejudice is the occasional elopement of Lydia with Wickham. Wickham indeed lacks all those interdict traits of character which could have made him a person of shade like that of Alec in Hardys Tess of the Durbervilles. Therefore, Wickhams possibility to be the only villain in Pride and Prejudice ends there. muted it is no shallowness or lack of insight on Austens part, which leads her to restrict the exploration of human nature to the apparent social level. Austen gives us in her novel an artistic unity in which nothing is forced, nothing is excessive. A simple plot proceeds bit by bit to the only deduction possible. Her characters act and speak in a very familiar way as we can imagine. The characters are so true to nature and so well-balanced against constructing types that as they talk along the story we begin tothink that it would not matter if there were no plot. The central figures whose union we desire grow upon us as their mistakes and recoveries reveal the fineness of their spirit. Therefore, in Austens world there is a welcome for the spiritualist reader who will accept it as it is and will not cry out for, in the wrangle of one critic The moon of passi onate embraces or the lightning of sword.