Monday, April 1, 2019
Music Essays Antonio Vivaldi Music
Music Essays Antonio Vivaldi MusicAntonio Vivaldi MusicANTONIO VIVALDI 1678-1741Antonio Vivaldi was born on March 4, 1678 in Venice, the Capital of the Republic of Venice and was the oldest of nine br other(a)s and sisters. His father, Giovanni Battista, was the son of a tailor. Giovanni was a barber when Antonio was born and in 1685, became a full-time twiddler at St. Marks under the surname Rossi. His mother, Camilla Calicho, as well happened to be the daughter of a tailor. When Antonio was born, he was immediately baptized by the midwife, more or less likely because an earthquake had shaken Venice earlier than day. His official church baptism did non take place until several months later.Antonio Vivaldi entered the priesthood in 1693 and was ordained in 1703. During this time, Antonio was intimate to play the violin with his father as his teacher. Within a class of his ordination, Antonio no longer wished to celebrate mass because he complained of tightness of the thorax w hich was probably some type of asthma or nervous disorder. thither were also rumors that he may have been faking the illness. Other stories describes times when Antonio left over(p) the alter in order to quickly jot down a melodyal idea in the sacristy. Obviously, he had become a priest against his own will, perhaps because training for the priesthood in those times was angiotensin-converting enzyme management a boy from a poor family could obtain free schooling.In December of 1703, Antonio became maestro di violino (master of violin) at an orphanage called the Pio Ospedale della Piet (Devout Hospital of Mercy) in Venice. This was one of four such institutions in Venice. Although termed an orphanage, this Ospedale was actually a home for the egg-producing(prenominal) children of nobleman and their numerous affairs with their mistresses therefore was well endowed by the anonymous fathers. The young ladies were well looked aft(prenominal) and the medicinal drugal standards were among the highest in Venice and the Ospedales orchestra and sing was well renowned. Vivaldi wrote for them most of his contriveos, cantatas, and sacred music. In 1704 the position of teacher of genus Viola allinglese was added to his duty as violin instructor. Vivaldi remained teaching at the Ospedale until 1709, when his ap billetment was non renewed. After a year as a free-lance histrion working for the Teatro Sant Angelo, an opera house theater, he was recalled by the Ospedale with a unanimous voter turnout in 1711. He became responsible for the musical activity of the institute in 1713 and was promoted to maestro de c erstrti in 1716.During his years at Ospedale della Piet, Vivaldi wrote much of his music, including may operas and concerti. In 1705, the first line of battle of his works was published, Raccolta. In 1709 a second collection of 12 sonatas for violin basso continuo, Opus 2, appeargond. In 1711, twelve concerti he had written for one, two, and four violins wi th strings, Lestro Armonico (Opus 3), were published in capital of The Netherlands by music publisher Estienne Roger. In 1713, the Ospedale della Piet gave Vivaldi one months leave in order to stage his first opera, Ottone in villa, in Vicenza.Get do with your essay from our expert essay writersThe end of 1716 was a high point for Antonio Vivalda as far as his theatrical activities were concerned. The Ospedale della Piet performed his forst great oratorio, Judith Triumphans devicta Holofernis barbaric, an allegorical verbal description of the victory of the Venetians over the Turks and the recapture of the island of Corf in August of 1716. All 11 singing parts were performed by girls of the Piet, both for the female and male characters. many of the arias include parts by solo instruments that showcased girls talents, recorders, oboes, clarinets, genus Viola damore, and mandolins. Also in 1716, Vivaldi wrote and produced two more operas, Lincoronazione di Dario and La costanza trio nfante degli amori e degli odi. His new operatic hyphen was not well accepted by other more conservative musicians, like Benedetto Marcello. Marcello was a magistrate and amateur musician and wrote a pamphlet called Il teatro alla moda against Vivaldi and the modern style of opera. The cover of the has a impersonation of Vivaldi playing the violin.Vivaldi moved to Mantua near the end of 1717 to take the position as Chamber Capellmeister of the court of the prince Phillip of Hesse-Darmstadt, the governor of Mantua. His job there involved providing operas, canatats, and concert music as well. He remained there for two or tercet years and produced several more operas, Armida and Tito Manlio.In 1721, Vivaldi moved to Rome. His operas introduced the new style and the new pope Benedict XIII invited him to play for him. Vivaldi moved patronage to Venice in 1725 with aspiring young singer Anna Giraud, an acquaintance he met eyepatch in Mantua. She moved in with him as well as her siste r, Paolina. harmonize to Vivaldi, Anna was no more than a housekeeper and a good friend. He went on to produce four more operas in that year. Some time in this period between 1717 and 1725, Vivaldi wrote the 4 Seasons, four violin concertos depicting inwrought scenes in music. The first concerto, Spring, borrows motifs from a Sinfonia in the first act of his opera Il Giustino which was written at the same time. The next three of the concerti are of original compositions. The inspiration for them is believed to be the countryside around Mantua. The concertos were a revolution in musical conception. Vivaldi represented flowing creeks, singing, barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, placid nights, hunting parties (both from the hunters and the preys point of view), frozen landscapes, children ice-skating, and burning fires. Each concerto was associated with a praise written by Vivaldi, describing the scenes depicted in the music. These concerto s were published in Amsterdam in 1725 as the first four of a collection of twelve, Il cimento dellArmonia e dellInventione, his Opus 8. The remaining concertos were Storm at Sea, Pleasure, and The Hunt. These concertos were enormously successful. In 1730, Vivaldi traveled to the music-loving city of Prague with his father and Anna Giraud. His opera Farnace was presented as well as two new operas during the 1730-1731 season.Vivaldis life ended in financial difficulties. He decided to sell off many of his manuscripts because they no longer held the popularity they once did in Venice. He ended up selling them off very cheaply in order to travel to Vienna. It is believed that Vivaldi moved to Vienna in 1740 or 1741 under the patronage of Charles VI who unfortunately died shortly after his arrival. Vivaldi himself passed away on July 28, 1741 due to internal fire, most likely the asthma that plagued him his entire life. He was buried in a modest rub next to the Karlskirche in Vienna, a t the site of the Technical Institute.Vivaldis compositions included over 500 concertos 350 of which are for solo instrument and strings speckle about 230 are for violin. The remaining compositions are for bassoon, cello, oboe, flute, viola damore, recorder, lute, and mandolin. He also composed 46 operas and 73 sonatas, in addition to chamber music and sacred music. His most famous work is believed to be Le Quattro Stagioni (The Four Seasons).
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